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Class handout RTC Washington 2015
Ses Hi Go An Cla How of c Par we Ou ver the BIM We com but Pra Fur We gra finis To c by app app we Ma mo ssion 148 ighly I oing Org ndy Milbu ass Desc w should w case stud rticular em will consi r faces an rnacular a e random M applicat e will explo mponents t also touc actical exa nishings. e will also t aphic tech shes. conclude our case propriate proach th balance any of thes ore reason 8 rregul anic with urn, God cription we repres ies, illustra mphasis w der gene nd bodies architectu variations tion like Re ore a num s, focusing ching on t amples wi take a loo hniques fo e the sessio studies. W in the rep he docum the dema se questio n to pose t lar … h Vanilla dwin Aus sent organ ating a va will be plac ral princip s contain s ure lies in t s of nature evit, with i mber of ap g primarily the Conc ill include ok at orga or convey on we will What level presentati mentation ands of ov ons do not them as c a Revit sten John nic forms riety of te ced on us ples and d subtle asy the picture e. But it is its rule-ba pproache y on use o eptual Ma Thatched anic mate ying desig l review so s of abstra on of com of florid a verall imp t have co clearly as nson with Revit echniques e of the tr draw conc ymmetries esque irre not easy ased appr s to creat of the Trad assing Env d Roofing, erial textur n irregular ome of th action an mplex irreg and repeti pression an onclusive a possible. t? This sess for mode raditional clusions. s. Much o gularity o to captur oach and ing irregu ditional Fa vironment , Rough-H es, sketch rity, aged e fundam d simplific gular form itive deco nd typica answers a sion prese elling irreg family ed of the cha of its forms re these q d databas ular buildin amily Edito t (Point Wo Hewn Timb hy lines an d and wea mental que cation are ms? How d orative de l detail? at present ents a serie gularity. ditor. Fina arm of which ec qualities in se structu ng forms a or (Vanilla) orld). bers, and S nd other athered estions rai e do we etail? Can . All the es lly cho n a re. and ) Soft sed n Hig And Ab And Arc imp twe ano arc arc com His and gui ww ghly Irreg dy Milburn, out the Sp dy Milburn chitectura plementa enties to b other 8 as chitecture chitect in A mputer te blog "Sha d a grand tar. ww.grevity gular , Godwin A peaker: n is an Ass al Practice tion. He h become a s an educ in his late Africa and echnology ades of Gr dson, spre y.blogspot Austen Joh sociate at e), with a s as had a a bricklaye ator in ne e thirties. F d the Mid y on the p rey" is wel ad aroun t.com hnson t Godwin special re varied ca er. After sp ewly indep For the pa dle East, t profession. l known in d the glob Austen Jo sponsibilit areer, aba pending 8 pendent Z ast 25 year taking a k . n the Revi be, and in ohnson, (a ty for BIM s andoning 8 years as Zimbabwe rs he has w keen intere t world. H n his spare a Dubai b strategy & architect s a builder e, he retur worked a est in the e has 3 ad e time pla Page 2 o based & Revit ture in his r and rned to s an impact of dult childr ays blues of 46 f ren Hig And INT Ov env on com Las hav hel sha ghly Irreg dy Milburn, TRODUC er the pas vironment my blog, mpetition st year, in ve develo ped me t apes, rang gular , Godwin A CTION st 3 or 4 ye t to mode and in pa which ha Chicago oped into o tame “P ging in size Austen Joh ears I hav el organic articular m as inspired and agai a cohere Point Wor e from cus hnson ve explore forms. M my submiss d me to str in at AUX ent whole, ld” and c shions to s ed the cap Many of the sions for th rike out re Dubai I a , a system reate par skyscrape pabilities o ese explo he annua peatedly ttempted of rigs & rametrica rs. of the Rev orations ca al Paramet y in new d d to distil th profiles th ally contro Page 3 o vit massing an be fou tric Pump irections. he metho hat have lled organ of 46 g nd kin ods I nic Hig And This trad Poi the Ad not Wo usin I ha ultim exp com insp I lov one irre ghly Irreg dy Milburn, s year I wa ditional fa nt World i e Mass cat aptive Co t reside on orking with ng simple, ave tried t mately it r plorations me over t pire others ve stark m e way to s gular mat gular , Godwin A ant to shif amily edito s great, b tegory (w omponen n a level a h Vanilla R , user-frien to structur represents . This is a w he next fe s to contri modernism skin a cat terials; rich Austen Joh t the main or and the but it does which is no ts, which and are ve Revit we c ndly techn re the pre s a series o work in pr ew years. ibute to th m and the , and I als hly decora hnson n focus to e hard-wir have limi ot the best can belon ery dema can create niques. Th esentation of journey rogress an I hope th his very im clarity of so admire ated surfa o “Vanilla” red system itations. Y t place fo ng to seve anding in t e lightwei hat is the m in a syste ys, leaps in nd I believ hat by sha mportant t geometri vernacul aces. ” Revit, the m tools tha You have r cushions eral differe terms of p ght, robus main focu ematic an nto the un ve there w aring these ask. ic forms, b ar traditio e domain at we use to choose s to live) a ent categ performan st, level-a us here. nd orderly nknown, te will be muc e initial tho but there i ons, coars Page 4 o of the every da e betwee and gories, but nce. ware fam way, but entative ch more t oughts I w is more th e and of 46 ay. en t do milies to will han Hig And No I ha ass Gu we pos All t wo ano con Rev exp rese and the sub I ha eno pen ghly Irreg dy Milburn, ot Just Pro ave been igned to a lf vernacu athered b sition. the same nderful fo other justif nstruction vit is a wo plaining, d earchers a d visionari e BIM narra bverted by ave a dee ormously f ncil” as a gular , Godwin A ojects very fortu a project ulars, with by the pa , you may oil to stark fication. T projects. nderful to document and archi ies. Life is ative bec y the wors ep passion from plac perfect to Austen Joh unate. Sho where I h an emph ssing year y well find modernis Too often I disagre ool for dra ting, call i ivists, histo much mo ame tota ship of pro n for explo ce to plac ool with w hnson ortly after had to cre hasis on b rs. Many d the tech sm: a touc we imag ee. wing and t what yo orians and ore than m ally trappe ogress, eff oring “the e, and ov which to in my abstra eate famili attered a of you wil niques use ch here an gine that B d describin ou will. BIM d librarians mere prof ed inside t ficiency, t e way we ver the co ndulge my act was a ies that re nd beate l never fin eful. Irreg nd a touc BIM is only ng building M processe s, students it and loss he busine technical build”, wh ourse of tim y passion. accepted epresent tr en building nd yoursel gularity pro ch there. about de gs: explor es should s and tea s. It would ess box, en wizardry. hich has v me. I rega Page 5 o I was raditional gs, ves in this ovides a But there elivering ring, be used chers, art d be tragi ntirely varied ard “the BI of 46 s is by tists c if IM Hig And PA SE ghly Irreg dy Milburn, ART ETTING gular , Godwin A G THE C Austen Joh CONTE hnson EXT Page 6 o of 46 Hig And A I ha ferm ver I wa yea I m thic qui bui ghly Irreg dy Milburn, BIT OF H ave this on menting a rnacular a ant to sta ars. odelled th ck walls w te effectiv ldings. Im gular , Godwin A HISTORY ngoing pr away for m architectu rt by revie he Trullo a with asymm ve, and it magine the Austen Joh Y roject in m more than ures using ewing thes around 20 metric gab helped m e BIM equ hnson my head c n 20 years Revit. se sporad 08. In pla bles forme me to gain uivalent of called “Th now and dic efforts, ace revolv ed using E n an insigh f Francis C e Way We d one aspe dotted a ves with un Edit Profile ht into the Ching, or B e Build”. I ect involv across the nevenly si e. Nothing ese fascina Banister Fl Page 7 o It’s been ves explori past 7 or ized steps g fancy, b ating letcher. of 46 ing 8 s, but Hig And ghly Irreg dy Milburn, pent the p architect s an extre eds of iron odern repl remely be gon settle project a ways been sn’t stopp gular , Godwin A prime year t. You ma emely effe n-age farm acement eautiful fe ements of also encom n a specia ped me fro Austen Joh rs of my lif ay regard ective, en mers for a t will last 2 eatures in the West mpasses t al favourite om trying. hnson fe in Africa a round t vironmen a couple o 00. Group the natura African S the work o e. His wo a, working hatched tally friend of thousan ps of that al landsca ahel. of “Proper rk is hard g first in Ed hut as rat dly solutio nd years. ched huts ape. Witn r Architec to captur ducation, ther primit on that ser I doubt th s can also ness the w cts” and G re using Re Page 8 o and then tive, but it rved the hat the o be well-known Gaudi has evit, but th of 46 as n hat Hig And Ba Aro to t des tha spra Loo Ma day cha tha Poi Mo Wig equ sim ghly Irreg dy Milburn, ck in the ound 1996 the old Vic stination. T atched res ay rising fr oking bac aybe we h ys I took p aracter re atched roo int World ore recent ggly spline uivalent o mply as pos gular , Godwin A e Day: C 6 I was the ctoria Fall The work staurant c rom the fa ck at these have learn pride in my eminiscent of with a f d: a few tly I used a es are use of my care ssible and Austen Joh asual CA e project a ls Hotel, w was done called Jun alls and th e drawing ned to ove y ability to t of hand few caref highlight a box rig t d to gene efully plac d aiming fo hnson AD architect which at th e using Au ngle Junct he railway gs it seems er-compli o imbue a drawings fully place ts to create erate an u ced CAD l or econo for a serie hat time w utocad an tion which y bridge a s remarka cate the a set of CA s and man ed and slig a resizabl undulating lines, evok my of effo es of renov was a very nd include h has a stu cross the ble to me business o AD drawin naged to ghtly irreg e thatche g form. Th king the c ort. vations an y popular ed an ope unning vie gorge to e how simp of building ngs with a evoke the ular lines. ed roof in his is perha character Page 9 o nd extens tourist en-sided ew of the Zambia. ple they a g. In those a personal e idea of Point Wo aps the BI of thatch of 46 ions are. e a rld. M h as Hig And Ran alg driv ago ghly Irreg dy Milburn, ndom var gorithmica ve instanc o, mostly gular , Godwin A riation can ally. Excel ce parame in a Point Austen Joh n be achi has built eters in Re World co hnson eved ma in random evit. I play ontext. nually (as misation fu yed aroun in my CA unctions th nd with th AD thatch hat can b his a coup Page 10 o ) but also be used to ple of year of 46 o rs Hig And TH Let org We also and The rou also sim ghly Irreg dy Milburn, E CHAL ’s review ganic build e have alre o mention d crumblin e charm o ugh-hewn o a challe mplification gular , Godwin A LLENGE a few ima dings pres eady touc n rough te ng finishes of vernacu surfaces enge to BI n strategy Austen Joh ages to re sent when ched on i extures an s. How to ular archit and little M proces so that it hnson emind ours n working rregular, u d weathe o do this ju tecture of bursts of i sses. Shou doesn’t a selves of s with Revit undulating ered mate ustice usin ften lies in ntricately ld we mo a black bl some of th t. g lines and erials, not g a BIM a the contr carved d del it in 3d obby mes he challen d surface to mentio applicatio rast betwe detail. Fin d ? We w ss at coar Page 11 o nges that s; we shou on cracke n ? een coars e detail is will need a rse scale. of 46 uld ed se, Hig And Ba Bar aga to a scra Vol dim cha the sub ghly Irreg dy Milburn, roque Ex roque is a ain we ha adapt to atch. Also luptuous s minishing g allenges t ese Roman bmit to the gular , Godwin A xuberan nother int ave forms design ch o the que surfaces, d geometrie hat I have n churche e BIM pen Austen Joh ce teresting e that are t hanges wi estion of fin double cu es to creat e barely b es by Borro ncil’s adva hnson example t tricky to m ithout sett ne detail urvature, e te perspe begun to t omini (not ances with to illustrate model, esp ting the w rears its he elliptical g ective effe tackle. Ro t to menti hout a pro e these ch pecially if whole thing ead once geometrie ects: all of ome wasn on Bavari olonged s hallenges you want g out aga e more. es, the use these are n’t built in ian Baroq truggle. Page 12 o s. Once t to be ab ain from e of e fascinat a day, an ue) will no of 46 ble ing nd ot Hig And How diff the pla use non The are pro fan for ghly Irreg dy Milburn, w do we c ficulties of e demand aceholder e simpler m n-realistic ese are all e a series o ojects, oth ntasies. Ho further de gular , Godwin A capture ri f modellin ds on the g r and refe modelling views ? open qu of studies hers under opefully th evelopme Austen Joh ichly deco g these fo graphics p rence out and drap estions, a and explo rtaken wit hey comp ent by oth hnson orated su orms using processor t to a sep pe it with a nd I don’t orations, s thin the le plement e ers. rfaces & o g Revit’s si ? Can w arate det a bitmap? t have de some don ss constra each othe ornament mple prim we use a lig tail, for exa ? Wouldn efinitive an ne in the c ained atm er and pro tation? A mitives, ca ghtweigh ample ? ’t that loo nswers. W course of f mosphere o ovide a sta Page 13 o part from an we affo t Could we ok strange What follow fee earnin of weeken arting poin of 46 the ord e e in ws ng nd nt Hig And PA PR ghly Irreg dy Milburn, ART ROJEC gular , Godwin A CTS AN Austen Joh ND EXP hnson PLORA ATIONS S Page 14 o of 46 Hig And CH This yea qui yea Co This con This exis Van are slig ghly Irreg dy Milburn, HICAGO s topic wa ar’s show, te fit into ar’s journe omfy Cha s one is a nvey the i s family is sts in Point nilla. The e lofted al htly in bot gular , Godwin A O LEFTO as original which wa that parti ey. air leather ar impression based on t World, b starting p ong path th directio Austen Joh OVERS ly inspired as about R cular narr rmchair, d n of a soft n the Gene but it would point is a p s that are ons. hnson d by some Rigs & Pro rative so I decidedly t and invit eric Mode d be poss parametric e also splin e families t ofiles in Po decided y modern ting spong el Adaptiv sible to do c profile t nes, so tha that didn’ int World. to use the in design, gy thing. ve templa o somethin hat incorp at all the s ’t make it . These st en to lead , but man ate, and t ng quite s porates sp urfaces u Page 15 o into last tudies did d us into th aging to herefore similar in plines. The ndulate of 46 n’t his ese Hig And Gu This bas app At t “sa This usin 7-si ghly Irreg dy Milburn, uell Chap s is just ano sed on the plication m the mome ave as” an s is all plai ng a spline ded polyg gular , Godwin A pel Colu other atte e principle makes go ent there nd introdu n vanilla R e as the p gons. Twi Austen Joh mns empt to a e of a sw ood use of are six ide uce more Revit mad path. The sted surfa hnson pproxima wept blend f the Slant entical co variety. de up of b profiles a aces are p ate Gaudi d using a s ted Colum olumns, bu blends, vo re all sket perfectly p . Structura spline as t mn capab ut it would id revolve ched free possible in ral Column the path. bility bake dn’t be ha es and a s ehand, us n Vanilla. Page 16 o ns, yet ag This ed into Rev ard to do a wept blen ing irregu of 46 gain vit. a nd lar Hig And Ka The how insp the dut On doe Per ord def ghly Irreg dy Milburn, thmand e city of Ka w well it fa pired by th e results loo ty timber c e interesti esn’t show rhaps our der that it formation gular , Godwin A u Timber athmandu aired in th he impres ok very di columns a ing aspec w up very subconsc expects t n is in fact Austen Joh r Framing u is name e recent ssion that ifferent. In and beam ct of this st clearly in cious brain o find. Bu quite sev hnson g ed after an earthqua building m n essence ms that sa tudy is tha perspect n is filtering ut in an or ere. n ancient akes. The n made on e it’s just a y “old and at the und tive views g out the rthograph timber str next exam my nine y n attemp d weathe dulating sh . The effe distortions ic view it’ ructure. I mple is ve years ago pt to mode er-beaten hape of th ect is very s and imp s very cle Page 17 o ’m not sur ry loosely , although el heavy ”. he beams subtle. posing the ear that th of 46 re h s e he Hig And The cor pro so t ghly Irreg dy Milburn, e beams a rners. The ofile 2. It w that each gular , Godwin A are spline- e twist is im would be h beam co Austen Joh -based sw mparted b possible to ould be g hnson wept blend by specifyi o associa given a dif ds using a ing differe te these a fferent de a simple pr ent angles angles wit egree of tw rofile with s for profile th family p wist. Page 18 o h splayed e 1 and paramete of 46 ers Hig And GU This and Ara has has We rou this My the ind out ghly Irreg dy Milburn, ULF TOU s year I ha d local co abian Gulf s been los s played o e are lucky ugh edges s type of p role has b ey are asse ividual bu t on sheet gular , Godwin A URISM PR ave been olour that f up to 30 st in the m out during y to have s rather th project. been to c embling, r uildings. E ts with not Austen Joh ROJECT involved i could be or 40 yea mad rush to g my lifetim a client w han the ste create col revising, c Each of th tes for the hnson T in a proje found in ars ago. M o modern me. who wants erile, sanit llections o coordinati ese collec e end user ct that ai the towns Much of th nise that a s to recap tized re-cr of families ng and re ctions con rs and tag ms to recr s dotted a his rich ind accompan pture the i reation th for the m econfiguri ntains doz gging cod reate the along the digenous c nied oil w informality at so ofte odellers to ing the ma zens of fam des carefu Page 19 o vibrancy coast of t character ealth whic y and the en results f o use whi any milies, all l ully record of 46 the r ch e rom le laid ded. Hig And De Ano cat con des The ma pho sam ghly Irreg dy Milburn, esign Inte other mem talogue, s ntractor m sign intent e many dif aterials pa otographi mples on s gular , Godwin A ent mber of th suppleme make the t” fferent wa ainted on t ic images site. Austen Joh he team h ented with mental le all finishes to wall sur s, specifica hnson has been h referenc ap from “ options a rfaces in t ation des referenci ce images “represent are repres the mode criptions a ng these f to help th tative BIM ented by ls and cro and ultima families to he client a M object” colour co oss-referen ately to a Page 20 o o compile and the to “final oding: nced to pproved of 46 a Hig And Are Are ma the can Wh pla this abo and par Eac hor raili surp ghly Irreg dy Milburn, eesh Scr eesh is a lo aterials: sp e houses o nopies an hen I first jo acing 5 or s group ar out makin d using tw rameter. ch baluste rizontal ra ing down prisingly e gular , Godwin A reen ocal term plit cane, p of the poo nd as one oined the 6 vertical round. Th ng a Railin wo elliptica er in my fe ils are of c into segm effective b Austen Joh for lightw palm frond orer sectio of the me project, s elements is method ng. The sta al profiles ence cont course pe ments that but next tim hnson weight con ds, reeds, ons of soci ethods for someone s of differe d seemed arting poi placed a tains a ran erfectly reg t meande me I woul nstruction etc. In th ety. We w r screenin had starte ent sizes, g clumsy a nt is a swe at right an ndomised gular, but er slightly i d probab using a va e past it w will be usin g MEP pla ed to mod grouping t nd memo ept blend gles. The d group of it is quite n plan. Th bly make it ariety of n was comm ng it for sh ant on the del these them and ory intensi d based o height is f these ele easy to b he end re t a little c Page 21 o natural monly use haded e flat roofs screens b d copying ve, so I se n a spline an instanc ements. T break the esult is oarser. of 46 d in s by g et ce The Hig And Lat ope ma rep It’s to m irre bas our the A re the mo ghly Irreg dy Milburn, ter on I wa en rectan aximises cr presents w a railing a matter too gularity a sis of man r quest to e software epeating e repetitio ore likely it gular , Godwin A as asked t ngular grid ross-ventil well at 1:10 again so t o much. O nd just ap ny well-kno convey o e and hard group of n. This is h is that we Austen Joh o make a d. This is c ation. Pe 00 scale a the horizo Our eye-a pplies a ju own optic our design dware. 3 vertical helpful be e will have hnson a second v commonly ersonally I f and is prob ntals are p and-brain dgement cal illusion n intent wi s seems to ecause the e gaps at version of y used wh find this ve bably less perfectly mechani t to the ob s and is p thout ma o be enou e wider th the ends f the scree ere privac ersion mo burdenso straight, b ism picks u bject as a otentially king impo ugh to ma he spacing of the rai en based cy is less o ore satisfyi ome for th but that d up the cu whole. T very help ossible dem ask the reg g of the b ling. Page 22 o on a mor of an issue ng. It he process oesn’t see ues about his is the pful to us in mands on gularity of balusters, t of 46 re e. It sor. em n n f the Hig And RUS On serv ele and and var shu ma The mo ske from The inte ghly Irreg dy Milburn, STIC VEN e of the c viced req ctrical sub d specifie d rusticity. riation on utters). A t asonry wa e family th odel with a etch lines a m time to e result is s ent. As a gular , Godwin A NTS challenge uirements bstations. ed without . In some the tradit hird strate ll with a se hat I made a cut ope are vertica time one imple, ligh bonus the Austen Joh s we face s of mode In norma t question cases, we tional barr egy for are eries of ho e for this w ning com al or horiz of the sid htweight a e plaster w hnson ed was ho ern life: air al projects by the M eathered red and s eas of fixe oles. was very s mposed of zontal, but des is rotat and quite wraps aro ow to acc r condition s, metal lo MEP team. timber lo huttered w ed ventilat traightforw f a series o t the widt ted by a f e effective und the o ommoda ning, extra ouvred scr Here we uvres wer window (w tion, was t ward: a w of quadrila h varies u few degre e in conve openings i ate the he act ventila reens are e argued f re used, in without th to simply wall-based aterals. M npredicta ees. eying the in plan vie Page 23 o eavily ation, ubiquitou for variety n others, a he interna pierce the d generic Most of the ably and design ews. of 46 us y a l e e Hig And THE The dev Ske tim Co sett and stra wo So w lett cho ele soft Gh Thin ghly Irreg dy Milburn, E OLD SO e normal s velop the etchup. “ es when t ordination tled down d regular, ategy usin uld play o we revers ting the de oice. The ctrical wir tness of p ostly figur nk of it as gular , Godwin A OFT SELL sequence initial ide Proper BIM the design n is substa n to their f despite m g words a out in deta sed the no esign team scene is e res). The w encil sket res drift ac a kind of Austen Joh e, in many as using t M” takes o n team ne antially co final form my best ef and mood ail on a ty ormal seq m add ric embellishe walls are a ching and cross the s reverse e hnson y offices a the fluidity over once eeds to w omplete a but the o fforts with d images, ypical buil uence, ex chness and ed with va aged with d waterco scene, pa ngineerin round the y and simp e the desig weave thei nd the ele output from family ed but the c ding. xporting t d fluidity in arious pro h cracks a olour wash ast old kna g. e world, is plicity of p gn has sta ir magic a evations h m Revit sti ditor. We client wan he geome n the softw ops (signag and grada h helps to arled trees for “desig programm abilised. B at a much have pret ll looks a l had expla nted to see etry from ware tool ge, paraf ations of t o trick the s. Page 24 o gners” to mes such a But there a h later stag ty much ittle too st ained our e how this Revit and s of their fin lamps, exture. Th brain. of 46 as are ge. tiff r s d , he Hig And It is com sim ghly Irreg dy Milburn, possible t mbining re mple layer gular , Godwin A to achiev endered a blending Austen Joh e a degre and shad techniqu hnson ee of softe ed image es, (see b ening alm es very qu below) but most direct ickly in an t this is no tly from Re n image e t always e Page 25 o evit by editor usin enough. of 46 g Hig And In t bas The tha You inte abs don eve is d Per form we spe ghly Irreg dy Milburn, he Revit m sically pai ese colour at pave th u could a ent in a sin stractions n’t show e ery projec drafting, w rhaps the mats that click on a ecification gular , Godwin A model, the int-on ma r codes ar he way for rgue that ngle integ and simp every scre ct about th what is text challenge provide v a purple w ns for that Austen Joh e differen terials. re then ex r on-site sa this falls s grated mo plifications ew and na he level o t. e for the f valuable s wall and f material hnson t wall finis xpanded amples to hort of the odel, but t s. We don ail. Ultima of detail to future is ho suppleme ind a hyp ? hes are re with imag o be appro e BIM idea he truth is n’t model ately we m o include i ow better ents. Can perlink to t epresente ges and sp oved by a al of capt s that our individua must make in the mo r to link ou this be bi he latest i ed by colo pecificatio architect a turing all t models a al masonry e a judgem del: what ur BIM files -direction images an Page 26 o our coding on clause and clien the design re always y units. W ment in t is 3d, wh s to other nal ? Cou nd of 46 g, es t. n s We at ld Hig And RA I ha imp han Ma from the pro My to c the min ghly Irreg dy Milburn, AGGETY E ad to crea pression o nd drawn any of the m plastere ese poles w oject unev solution w create a z e poles the nimum imp gular , Godwin A EDGE BEA ate 15 brid f hand-cr sketches bridges h ed mason would not venly in a was a bea zig-zag ske emselves s pact on p Austen Joh AM SYST dges, eac afted cha . have a ser nry to timb t have be very attra am system etch alon straight a performan hnson TEM ch one slig arm. My s ries of cro ber beam een precis active, pic m. The po ng the two lso, wishin nce. ghtly differ starting po oss-poles a s spanning ely measu cturesque les are ev o sides of t ng to conv rent, all co oint, as usu apparently g the stree ured and manner. venly spac the bridge vey a natu onveying ual was a y transferr et below. the ends ced, but it e. I decid ural effec Page 27 o an a series of ring the lo Tradition would t is very ea ded to ma ct with of 46 oad nally asy ake Hig And WO On ma ima with typ ghly Irreg dy Milburn, ONKY WO the flat ro any cases age was f h the railin pe, heavily gular , Godwin A OOD CU oofs we h the Arees ound. It w ng tool. I y customis Austen Joh RTAIN W ave MEP sh Fence w wouldn’t b decided sed, with s hnson WALL “FEN equipme was used be easy to to try usin spline-bas NCE” nt that ne , but we n o represen ng a Curta sed swept eeds to be needed m nt this irreg ain Wall. Th t blends fo e hidden f more varie gular woo here is jus or the ver Page 28 o from view ety. An oden fenc t one pan rticals. of 46 w. In cing nel Hig And Hap edg the By v bay effe not Ca The ow (wh rep You of y ghly Irreg dy Milburn, ppily, Rev ge of the e family, a varying th y panel c ect achie tes within aveat e above w wnership th hich are m produce o u may of c your own gular , Godwin A vit manag many ext ll relating he height an be eff ved with the collec work was a herefore re mostly min or share th course use projects. Austen Joh es to resiz trusions. A to the fak and lengt ectively d very little ction file. all done u esides wit ne), not th hese imag e the prin hnson ze this pan Actually th ke “mullio th of diffe disguised a effort by t under the h them. I e design ges in any ciples exp nel withou here are o ons” embe erent wall and an ac the end-u auspices am sharin content. public for plained he ut having t only 3 or 4 edded ins segments cceptable user. This is of GAJ A ng the ide Please re rum. ere within to lock ev 4 closed p ide the pa s the repe e higgled s all expla rchitects a eas and te espect this the differ Page 29 o very single padlocks in anel. etition of th y-piggled ained in and echnique s and do n ring conte of 46 e n his 3 dy s not exts Hig And EX Wh pre talk I sp Ine sim squ kno The ima orig The thro plin ghly Irreg dy Milburn, PLORATI hat follows eparation ks of your pent more vitably it g mplicity of i uare.) The own and p e above im ages expo ginal refer e fence is ough my a nth. gular , Godwin A ON ONE s is a serie for this co own, but e than two got “unde its basic h e picturesq provided mage sho orted from rence ima a variatio approach Austen Joh E : THE DO s of explo onference please cr o decades er my skin” housing fo que villag a starting ows 4 view m a single age that I on on the A h to the th hnson OGON H orations un e. You ma redit me a s living, w ” and I ha rm: the th ges of the point for ws directly camera v used as in Areesh Sc hatched r UT SERIE ndertaken ay use the as the sou orking an ave great hatched h Dogon pe my first ex from Rev view (rend nspiration creen des oof, undu S n during m e images i rce. d raising a respect fo hut (often eople of t xploration it, the ble dered & sh . cribed ea ulating wa my own tim in blog po a family in or the dec round bu the Sahel n series, ended pro haded) p arlier. Here alls and dr Page 30 o me in osts or pub n Africa. ceptive ut sometim are well oduct of tw plus the e I will talk ry-stone of 46 blic mes wo k Hig And RO For Fac the pat so t 4 si The hav The edi wh the pla ghly Irreg dy Milburn, OOF BY FA r the roof, ce comm e walls & ro th. The se that the in des plus 4 e resultant ve predic e topknot itor so as t ose profile e heights, s ane. gular , Godwin A ACE – IN an in-plac and. It do oof in sync ecret here nevitable 4 curved t t shape is ted. Call i is a loade to be stab es are irre scale the Austen Joh N PLACE G ce Gener oesn’t hav c. It’s a sw e is to have seams fal transitions somewha it a happy ed family p ble and ea gular star profiles, a hnson GENERIC ric Model ve to be i wept blen e the sam ll in predic at the co at unexpe y acciden placed d asy to mo r shapes. associate C MODEL family ac n-place, t nd again, me numbe ctable pla orners. ected and nt. irectly in t ove aroun Copy the with a ne L cts as a mo that just m with a ve er of segm aces. This d more irre he mode d. It’s just em around ew ref plan ould for th makes it ea ertical splin ments in bo roof com egular tha el. I made t a series o d and adj ne, rotate Page 31 o he Roof-b asier to ke ne as the oth profile mes in 8 pa an I would e it in famil of blends ust: stretc e that ref of 46 y- eep es, arts: d ly ch Hig And WA I wa to b the It is smo ghly Irreg dy Milburn, ALLS AS A ant the w be an in-p e path and possible t ooth curv gular , Godwin A AN IN PL walls to acc pace fam d a simple to add a v ve, becau Austen Joh ACE SWE cept a do ily, wall ca e irregular void swee se the an hnson EEP oor but I’m ategory. r profile. ep to the gles betw m looking I made a corners & ween the s for an irre sweep w & create a surfaces v egular sha with a clos a splay, bu vary in 3 d Page 32 o ape so it h ed loop fo ut not a dimensions of 46 as or s. Hig And WA The und be of d par The be the Fill o form thin The ass ghly Irreg dy Milburn, ALL STAM e base of t dercut sur arrayed a different s rameter w e starting p repeated en copy it out the in m using a nk, if you h e detail ite igned to a gular , Godwin A MP these huts rface. I de across the izes and d which help point is to d seamles across to terior. As minimum have a so em can be a subcate Austen Joh s is dry sto ecided to e surface o depths. Th ps to mask create a sly. The p define th always it’ m of simple lid backg e exposed egory to c hnson one wallin o experime of a wall, he averag k the repe Detail Ite principle is he right ed ’s importa e strokes. ground in f d in eleva control co g with a v ent with a cutting o ge depth etitive nat em that es simple en dge. Do t ant to cap It’s a judg freehand ation view olour & line very irregu a “wall sta ut a comp is controll ure over l stablishes nough. D he same pture the s gement c sketching s with a vi e weight. ular and d amp” fam plex patte led by an arger surf a module raw the le for top an spirit of an call. Easie g. isibility swi Page 33 o deeply ily that ca ern of void n instance faces. e that can eft edge, nd bottom n irregular r to make itch and of 46 an ds n m. e, I Hig And THE I de Ma of t pro On ghly Irreg dy Milburn, E RUIN ecided to aking the d the wall, b oductive. ce again gular , Godwin A develop detail item but attem It’s virtua it seems t Austen Joh my test p m visible h pting to fo lly imposs to be a qu hnson piece as a elps to gu ollow the ible to av uestion of a ruined bu uide the sk joint lines void error m f judgeme uilding, by ketch whe precisely messages ent based y eroding en editing y can prov s d on trial & Page 34 o the walls g the profi ve counte & error. of 46 . ile er- Hig And NO In t rule sen cur The ble cur pho ghly Irreg dy Milburn, ON-RECTA he contex e the roos nse. Here rve with a e cut open ends with p rves and c otograph gular , Godwin A ANGULA xt of mod t, but in m is a first a moulded ning is a h pick-edge clearly fal , on sever Austen Joh AR OPENI ern indust many olde ttempt to d surround half-ellipse e paths. It ls short of ral counts hnson INGS trial techn er building o make a p d of variab e. The mou t works we represent s. Call it a nologies, r g traditions parametr ble depth ulded surr ell on strai ting the ty work in p rectangul s they wo ic doorwa . round con ight wall s ype of do progress. lar doors & uld have ay based nsists of tw segments or in the r Page 35 o & window made littl on a smo wo swept but not o reference of 46 ws le ooth on Hig And WO This cre pro faile Ca ghly Irreg dy Milburn, ONKY WI s was a qu eate an irr oportions. ed to turn ll this one gular , Godwin A INDOW uick expe regular wi It was pa n the corn a work th Austen Joh riment usi ndow ope artially suc ers: perha hat hasn’t hnson ing the au ening with ccessful, b aps a cas t progresse uto-scaling h variable but the spl e of self-in ed very fa g properti e paramet ayed det ntersectin ar yet. ies of Rev tric size an tail to the g geome Page 36 o it splines t nd reveals try. of 46 to Hig And NE I vis pop cap soo Sad so i eve be of u Fam The ghly Irreg dy Milburn, EWARI H sited Kath pulated c ptivated a on afterwa dly it had it seemed ents in Ne taken mo urban life miliar que e main op 1. 3d mod 2. Model 3. Symbo 4. Refere gular , Godwin A HOUSE hmandu in city and o and bega ards. lain negle d an ideal pal unfold ore serious that peop stions cro ptions wou delling: ca lines on a olic lines (vi nce to a se Austen Joh n 2006 whe ne of thos an to build ected for s opportun ded soon sly as a m ple have w p up, such uld seem t arving in a l flat surfac sible in ele eparately hnson en my co se places d a mode several ye nity to revi afterward eans for r woven ov h as how to be literal sense e evation onl developed ousin was l that feels l to repres ears when isit a wort ds. It seem recording ver the pa to deal w e y) d detail iving there s like a wa sent a “ty n I began hy projec ms to me and ana ast 5000 ye with all the re. It is a v alk back in pical” Ne to work o t. The tra that BIM t lysing the ears or so e richly ca Page 37 o very dense n time. I w ewari hous on this top gic recen tools shou rich tape . rved deta of 46 ely was se ic, nt ld estry ail ? Hig And PIE The the cho This trip arra It w suc less con the It o coi diff We stat wa pla cre ghly Irreg dy Milburn, ERCED SC e older an e mushara ose to mo s is a large ple-arched anged as was an inte ch a family s detail th ngeal into em by line ccurs to m n. Both ra ferent sca e may like tes, black nt BIM to aceholder eative just gular , Godwin A CREEN FA nd grande abiyas tha odel one o e, hand-m d surround a param eresting fa y at differ an occurs o messy bl s that are me that irr aise issues ales. to think th k & white i be useful rs, evocat as we are Austen Joh AMILY er houses c t are prev of these m made, hard ds. My foc etric array amily to m ent scales s in real lif lobs at sa e hidden a regularity of perform hat the di ssues. To in the rea ive symbo e in the an hnson commonl valent in t more care dwood fra cus here is y within a make but m s. I have e, but eve y 1:100. W at coarse and smal mance an igital worl me the re al world w ols and th nalogue w y have pi he gulf re fully. ame with s on an X- rectangu my conce modelled en so the Would we scale? ll-scale de nd of how d of BIM is eal world we will hav e like. We world of th erced scr gion whe latticewo -shaped n ular frame ern here is d it at a co small squa be bette etail are tw w to achie s all abou comes in ve to acce e will have he pencil. reens rem ere I live a ork shutter nested co e. s how to d oarser sca ares are g er off repre wo sides o eve visual t hard fac shades o ept implie e to be fle . Page 38 o iniscent o nd work. rs behind mponent deal with ale and wi going to esenting of the sam clarity at cts, on-off f grey. If w ed meanin exible and of 46 of I ith me f we ngs, d Hig And CR How this cro It is cas usin Diff mu rich ghly Irreg dy Milburn, ROSS FAD w to conv s issue bef oss-referen possible t se I am co ng layer m ferent ble ultiply, lum her than a gular , Godwin A DE vey the ef fore in the nce “non- to simulat ombining masks who nding mo inosity) It’ any of the Austen Joh ffects of a e Gulf Tour -BIM” supp e weathe 3 exports ose transp odes contr s not a to flat, sourc hnson ageing an rism proje plementa ering more (Render, parency is ribute to t otal answe ce image d weathe ct where ry docum e directly Shaded, controlle the subtle er, but it’s es taken in ering in a B colour co ments. from a Re Realistic) d by diag shading e fast and r ndividually BIM conte oding was evit mode and blen gonal grad effects (o repeatab y. Page 39 o ext? We m s used to el. In this ding them dient fills. overlay, ble and mu of 46 met m uch Hig And THE How are The fram trad To h squ alw tha wh I als jam sub the sho pos we ghly Irreg dy Milburn, E LITTLE T w can we e a couple e standard ming exte ditional tim hint at irre uare, inser ways) is tha at these w ere you c so experim mbs is defi btle curva e gap at th ow up unti ssibly neve ll come to gular , Godwin A THINGS e evoke th e of exper d window ends to for mber wind egularity, I rted timbe at param windows ar can watch mented w ned by a ture usefu he bottom il you zoo er will, but o fruition in Austen Joh hat hand- riments th for the Ne rm long ho dows arou have ad er wedges etric cont re meant h the busy with irregul spline and ul, or just a m of the d m in. I ha t who kno n a differe hnson made loo at I cond ewari Hou orns that und the w ded a littl s in the bo trol becom for standi y street life larity on m d there is a self-indu door. It’s a aven’t use ows? It co ent conte ok without ucted. use is quite get built i world, thou e asymm ottom cor mes harde ing in with e below. my “plank a splayed lgence? F an interest ed this on a ontains the xt. t getting c e interesti n. This is a ugh not of etry, twea rners. The er to achie h built-in b & stud” d d edge on For further ting idea, a real pro e germ of carried aw ing. Head a commo ften quite aked the h e draw-ba eve. Note balustrade door. One n three sid r effect I t , but does oject and f an idea w Page 40 o way? Here d and sill n feature e so long. horns out ack (as e, in passi e: places e of the des. Is this tried varyi sn’t really quite which ma of 46 e of of ng, s ng ay Hig And SO In m pre We visu clu a lit Ov Van par If w find har We ma Rev So and visu Let ghly Irreg dy Milburn, OFT FURN many way esents simi e can’t po ualisation msy forms ttle of the er the yea nilla and P rametric r we hope to d better a rd objects e need to aybe in int vit. I spent on d visualise ualisation ’s start wit gular , Godwin A NISHING ys the rep ilar challe ossibly exp software s so comm e softness a ars I’ve ma Point Wor resizing be o draw Int nswers to s in Revit a show pillo ternal elev ne long we ed in Max) and docu th the pillo Austen Joh GS resentatio nges to th pect to mo like Max o monly see and irregu ade seve ld, with pa ehaviour. terior Desi these kin and the so ows on the vations als eekend ta ) and rein umentatio ows. hnson on of pillow he irregula odel them or Maya, b n? Isn’t th ularity fou ral attem articular a igners fully ds of que ofts in Max e beds of so. These aking an e terpreting on in a sin ws, cushio ar building m with the but do we here a mi nd in real pts to tac attention t y into the estion. On x, but it’s typical ho are draw existing I.D g it in Revi gle mode ons, curtai g forms we rich and e have to ddle way life ? kle this ch to mainta world of B ne strategy never quit otel room wings that D. scheme t, aiming el. ins and th e have be complex settle for y ? Can’t w hallenge u aining bas BIM we m y would b te as simp m floor plan need to c e (drawn i to integra Page 41 o he like een study fidelity of the stiff a we evoke using both ic must surely be to do th ple as tha n layouts, come from in Autoca ate of 46 ying. f nd just h he t. m ad Hig And PIL This stra pro I wa bet sec cor It’s dim hea in a ghly Irreg dy Milburn, LLOW TAL s is a varia aight segm oposed by anted the tween the ction. This rner. not ideal mensions a adboard, a well-ma gular , Godwin A LK ation on m ments with y our FF&E e splines to e sweep a results in , but we’v and it rend and it ha naged ho Austen Joh my previou h splines. E team. o extend a and the ex a much lo ve got a p ders up pr as nice squ otel room, hnson us “wonky I’ve adde all the wa xtrusion fa onger stra parametri retty well. uare corn , but with y extrusion ed a thin b ay to the c ailed so I h aight porti c family th By defau ers that re just a hint n” pillow, b border to corners, bu had to inc on as the hat’s varia ult it stand eflect the t of welco but replac evoke the ut join ge clude a sh profile tu able in all ds upright orderline oming soft Page 42 o cing the e frilly edg ometry ort straigh rns the 3 against th ss we exp tness. of 46 ging ht he pect Hig And TYP Tha the acc The eve The cut ghly Irreg dy Milburn, PICAL RO at was fun e project s cessories ese familie en 1:25 wh e 3d geom taway 3d gular , Godwin A OOM PLA n, but we d so I’m goin like pillow es will be q hile being metry is ve views, for Austen Joh ANS don’t wan ng to start ws with sym quite cap g lightweig ery simple, r example hnson nt to dupl t with simp mbolic line pable of g ght enoug , but adeq e. icate thes pler furnitu es that onl enerating gh for repl quate for se pillows ure familie y show up g attractiv ication revealing 300 times es that rep p in plan v ve plans a g potentia Page 43 o s througho present views. t 1:50 or al issues in of 46 out Hig And VIS I am alte sett as p I ha Inte but oth cos to b It’s ghly Irreg dy Milburn, SUALISAT m imagini ernative is tings, but possible. ad to mak erior Desig t perhaps her 30% us st saving, be the im another w gular , Godwin A TION ng that th s to keep I think I pr Either wa ke a few c gners. The we could sing Max, but the m proved in work in pro Austen Joh he I.D. tea both geo refer to m y the effo custom m e renderin d aim to d for that ex most signifi tegration ogress to hnson am mainta metries in make the fa ort involve aterials. T ngs are no do 70% of xtra WOW icant ben n with arch conclude ains two v n the same amilies in d would b That’s goi ot up to M our image W factor. C efit of doi hitecture. e my inves ersions of e family a the archit be much t ng to be a ax standa es directly Could be ing I.D. to stigations. each fam and use vis tectural m the same a daily ne ards by an y from Rev a signific this level . Page 44 o mily. The sibility model as le . eed for ny means, vit and the ant time & in Revit h of 46 ean , e & as Hig And CO Ce hav ghly Irreg dy Milburn, ONCL rtain them ve a parti • When proba • Spline- • Revit is Its usef gular , Godwin A USION mes have cular reso it comes bly think i -based sw s best see fulness ex Austen Joh NS cropped onance fo to richly d t terms of wept blend en as a ge xtends far hnson up repea or me. detailed a f subtle hin ds are inc eneral pur beyond t atedly. I w and/or irre nts rather credibly us pose think the narrow would like egular buil than faith seful king tool, w confines to focus o ldings we hful reprod (the BIM p s of “the B Page 45 o on three t should duction. pencil) … Business Bo of 46 hat ox” ghly Irreg dy Milburn, ww.grev ese ideas w ming mon gular , Godwin A vity.blo will be fur nths, along Austen Joh gspot.c rther expa g with oth hnson com anded and her topics d interrog that may gated on m catch my my blog o y attentio Page 46 o over the on. of 46 life ? kle this ch to mainta world of B ne strategy never quit otel room wings that D. scheme t, aiming el. ins and th e have be complex settle for y ? Can’t w hallenge u aining bas BIM we m y would b te as simp m floor plan need to c e (drawn i to integra Page 41 o he like een study fidelity of the stiff a we evoke using both ic must surely be to do th ple as tha n layouts, come from in Autoca ate of 46 ying. f nd just h he t. m ad Hig And PIL This stra pro I wa bet sec cor It’s dim hea in a ghly Irreg dy Milburn, LLOW TAL s is a varia aight segm oposed by anted the tween the ction. This rner. not ideal mensions a adboard, a well-ma gular , Godwin A LK ation on m ments with y our FF&E e splines to e sweep a results in , but we’v and it rend and it ha naged ho Austen Joh my previou h splines. E team. o extend a and the ex a much lo ve got a p ders up pr as nice squ otel room, hnson us “wonky I’ve adde all the wa xtrusion fa onger stra parametri retty well. uare corn , but with y extrusion ed a thin b ay to the c ailed so I h aight porti c family th By defau ers that re just a hint n” pillow, b border to corners, bu had to inc on as the hat’s varia ult it stand eflect the t of welco but replac evoke the ut join ge clude a sh profile tu able in all ds upright orderline oming soft Page 42 o cing the e frilly edg ometry ort straigh rns the 3 against th ss we exp tness. of 46 ging ht he pect Hig And TYP Tha the acc The eve The cut ghly Irreg dy Milburn, PICAL RO at was fun e project s cessories ese familie en 1:25 wh e 3d geom taway 3d gular , Godwin A OOM PLA n, but we d so I’m goin like pillow es will be q hile being metry is ve views, for Austen Joh ANS don’t wan ng to start ws with sym quite cap g lightweig ery simple, r example hnson nt to dupl t with simp mbolic line pable of g ght enoug , but adeq e. icate thes pler furnitu es that onl enerating gh for repl quate for se pillows ure familie y show up g attractiv ication revealing 300 times es that rep p in plan v ve plans a g potentia Page 43 o s througho present views. t 1:50 or al issues in of 46 out Hig And VIS I am alte sett as p I ha Inte but oth cos to b It’s ghly Irreg dy Milburn, SUALISAT m imagini ernative is tings, but possible. ad to mak erior Desig t perhaps her 30% us st saving, be the im another w gular , Godwin A TION ng that th s to keep I think I pr Either wa ke a few c gners. The we could sing Max, but the m proved in work in pro Austen Joh he I.D. tea both geo refer to m y the effo custom m e renderin d aim to d for that ex most signifi tegration ogress to hnson am mainta metries in make the fa ort involve aterials. T ngs are no do 70% of xtra WOW icant ben n with arch conclude ains two v n the same amilies in d would b That’s goi ot up to M our image W factor. C efit of doi hitecture. e my inves ersions of e family a the archit be much t ng to be a ax standa es directly Could be ing I.D. to stigations. each fam and use vis tectural m the same a daily ne ards by an y from Rev a signific this level . Page 44 o mily. The sibility model as le . eed for ny means, vit and the ant time & in Revit h of 46 ean , e & as Hig And CO Ce hav ghly Irreg dy Milburn, ONCL rtain them ve a parti • When proba • Spline- • Revit is Its usef gular , Godwin A USION mes have cular reso it comes bly think i -based sw s best see fulness ex Austen Joh NS cropped onance fo to richly d t terms of wept blend en as a ge xtends far hnson up repea or me. detailed a f subtle hin ds are inc eneral pur beyond t atedly. I w and/or irre nts rather credibly us pose think the narrow would like egular buil than faith seful king tool, w confines to focus o ldings we hful reprod (the BIM p s of “the B Page 45 o on three t should duction. pencil) … Business Bo of 46 hat ox” ghly Irreg dy Milburn, ww.grev ese ideas w ming mon gular , Godwin A vity.blo will be fur nths, along Austen Joh gspot.c rther exp